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Note: there may be instances where a piece requires licensing from multiple organizations such as BMI or SESAC. The library has everything from popular musicians in the media to contemporary composers of large works. ASCAP has a repertory library that can be used to search your repertoire for the upcoming concert season. The first step is making sure that ASCAP does actually cover the type of repertoire you perform. Step 1: Search Your Repertoire on ASCAP's Website There may also be a situation where both parties - the choir and the venue - are jointly responsible. Note: in some cases, a performance venue will be responsible for obtaining the required licensing. In these four steps, you will find out if ASCAP is the right fit for you, sign up for an online account, determine your licensing needs, and pay your fees. But more importantly, they will provide you with the appropriate licensing you need to avoid copyright infringements. They have an online chat feature, an email, and office number where you can reach them during office hours to answer any copyright question you've ever dreamed of.
CAN I COPYRIGHT MULTIPLE SONGS AT ONCE LICENSE
Obtaining Your ASCAP Public Performance License in 4 Simple StepsĪSCAP is a performing rights organization and, according to Kelly, will also be your go-to resource for everything copyright-related. Her first piece of advice: sign up for an ASCAP account and get your "public performance" license. Kelly graciously offered her time to be interviewed on all of my copyright questions. Together, they discuss copyright laws and how they apply to the individual artist. Her daughter is a singer-songwriter and her son is an up-and-coming YouTube sensation. Her husband has worked with lawyers for copyright laws, infringement, and protection, representing many artists.
CAN I COPYRIGHT MULTIPLE SONGS AT ONCE PROFESSIONAL
Not only does she work with them on a professional level with her chorale, but she is also involved with copyright at home. Kelly Beard is the Executive Manager of Susquehanna Valley Chorale and she really knows copyright laws. And it turns out, with the help of the right advisor, learning about copyright wasn't so bad after all. This past year my choir grew exponentially and we are now starting to plan public performances, so I decided it was time to get serious. copyright has always felt so overwhelming that I never really took the time to learn the ins and outs of it. The extent of my copyright knowledge is somewhere between I know copyright exists and that I should probably pay attention to it. I'm a choir director, not a copyright lawyer.